Touch-screen for ALEXA Mini - AMIRA

Transvideo and ARRI are collaborating on a specially adapted version of Transvideo's StarliteHD 5" OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA.

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New ALEXA SXT cameras for 2015

ARRI's new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs.

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Master Anamorphics take on the elements

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The English-language thriller DON'T GROW UP is cinematographer Matias Boucard's second collaboration with director Thierry Poiraud, following GOAL OF THE DEAD. Both films were shot with ALEXA, but for DON'T GROW UP Boucard chose to work with ARRI/ZEISS Master Anamorphic lenses. Shot in just 26 days on location in the Canary Islands, the Franco-Spanish co-production recorded in ARRIRAW despite a fairly low budget, making the most of the Master Anamorphics' light weight, compact size and tough build quality. Boucard speaks here about his work on the film.

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Cooke Optics new Anamorphic/i lenses

Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, has pledged to start shipping the 25mm and 135mm Anamorphic /i lenses by NAB 2015. The new lenses, announced at IBC 2014, will further enhance the range which currently includes 32mm, 40mm, 50mm, 75mm and 100mm models.

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Announcing the new ARRI ALEXA Mini

 ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. 

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DOMINO FALLING & Master Anamorphics

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DOMINO FALLING and Master Anamorphics is a short film following a hit man in Mexico who is forced to carry out a brutal task in order to save his love. Written and directed by Siavash Farahani, the short film was produced as a showcase for a feature film that is currently in development. DOMINO FALLING delivers big on visuals and action with cinematography by Maz Makhani on the ALEXA XT and the 35 mm, 50 mm and 75 mm ARRI / ZEISS Master Anamorphic lenses.

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Master Anamorphics at -20°C

For the music video of London-based recording artist Kwabs' song PERFECT RUIN, cinematographer Steve Annis combined an ALEXA camera with MA35, MA50 and MA100 ARRI/ZEISS Master Anamorphic lenses. Shot in the Swedish village of Lulea, just within the Arctic Circle, the promo tested the lenses -- and the crew -- under punishingly cold conditions.

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Dir. Mai Iskander relies on AMIRA

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 Caregivers often don't get the recognition they deserve, and Whirlpool wanted to celebrate their value in the heart-warming campaign Every Day, Care™ launched with creative shop DigitasLBi and viral content site Upworthy. "Perceptions of Care," which shows three generations of one family living under the same roof, was directed and shot by Mai Iskander on the ARRI AMIRA to capture the slice-of-life vignettes.

 

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Domino Falling & Master Anamorphics

b_domino_falling_CU_woman

DOMINO FALLING and Master Anamorphics is a short film following a hit man in Mexico who is forced to carry out a brutal task in order to save his love. Written and directed by Siavash Farahani, the short film was produced as a showcase for a feature film that is currently in development. DOMINO FALLING delivers big on visuals and action with cinematography by Maz Makhani on the ALEXA XT and the 35 mm, 50 mm and 75 mm ARRI / ZEISS Master Anamorphic lenses.

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