Ultra Wide Zoom on Jeunet commercial

Cinematographer Thomas Hardmeier, AFC recently used the ARRI Ultra Wide Zoom UWZ 9.5-19/T2.9 for VFX shots in a Lavazza commercial directed by Jean-Pierre Jeunet, whose credits include the much-loved films AMÉLIE, A VERY LONG ENGAGEMENT

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ALEXA Mini gets a flying start

Casey Warren and Danielle Krieger of the Seattle-based content provider MINDCASTLE are the creative team behind THE BALLOONIST, a short film designed to test the new ALEXA Mini on Freefly Systems' popular MōVI gimbal rig and CineStar aerial multi-rotor.

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Angenieux - NAB 2015 - Promo Offers

Check out Angenieux's Promos - Valid till MAY 4th

For more information contact us at This email address is being protected from spambots. You need JavaScript enabled to view it. 

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Spotlight on colorist Paul Sage

From commercials to action flicks, character-driven dramas and award-winning documentaries, colorist Paul Sage of Light Iron has put his touch on a variety of productions. Recent credits include JOHN WICK, FORT BLISS, THE SHORT GAME, and SWEET MICKEY FOR PRESIDENT

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ALEXA 65 technology by IMAX

IMAX has announced via VARIETY that it has entered into an agreement with ARRI to customize the ALEXA 65 system for use on IMAX productions.ARRI is very proud to announce this collaborative venture with IMAX, the recognized world leader in large format imaging technologies.

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ALEXA 65mm Reborn

ARRI Rental's ALEXA 65 camera system was officially launched on December 9th 2014 in front of a packed audience at the Linwood Dunn Theater in Los Angeles.

"It's a breakthrough in the technology of acquisition...I can make movies that astound the audience with this camera."
David Stump, ASC

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DoP Pawel Dyllus on Mirziya Movie shot with Optimo 56-152

Production: Rakeysh Omprakash Mehra production
Director : Rakeysh Omprakash Mehra
DoP :  Pawel Dyllus
Release Date : End 2015 (India)
Lens : Optimo 56-152
Camera : Alexa XT

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Dynamic motion with the UWZ

The ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 is a uniquely distortion-free, extreme wide-angle zoom with an optical performance that surpasses most high-end cine prime lenses. Cinematographer, Steadicam operator, helicopter operator and CTO/founder of a Danish rental facility, Anders Holck recently purchased the UWZ and used it with an ALEXA M in a gyro-stabilized head to shoot spectacular aerial footage around Queenstown in New Zealand.

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Anamorphic Ultra Wide Zoom

The new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the ARRI/ZEISS Master Anamorphic lenses by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality.

Possibilities for wide-angle compositions when shooting anamorphic have been strictly limited in the past, due to a lack of high-quality lenses.

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